Callaghan, Madeleine, Dr

Dr Madeleine Callaghan

School of English

Senior Lecturer in Romantic Literature

m.callaghan@sheffield.ac.uk
+44 114 222 8461

Jessop West

Full contact details

Dr Madeleine Callaghan
School of English
Jessop West
1 Upper Hanover Street
91̽��
S3 7RA

Profile

I joined the School of English in September 2010 and I’m a senior lecturer in Romantic Literature. My primary research interest is the poetry of Wordsworth, Byron, Shelley, and Yeats. I also have research interests in other Romantic poets and prose writers, Milton and Spenser, and in twentieth-century British and Irish poetry.

I read English at Durham University and stayed in Durham for my Masters and PhD. My monograph on Shelley, entitled Shelley’s Living Artistry: Letters, Poems, Plays, came out in 2017, and my second monograph, entitled The Poet-Hero in the Work of Byron and Shelley, came out in 2019. With Michael O’Neill, I co-edited Twentieth Century British and Irish Poetry: Hardy to Mahon (2011), and we also co-authored The Romantic Poetry Handbook (2018). I co-edited Romanticism and the Letter with Anthony Howe in 2020.

My most recent book is Eternity in British Romantic Poetry (2022). By way of an overview, the monograph, Eternity in British Romantic Poetry explores the representation of the relationship between eternity and the mortal world in the poetry of the period. This monograph will offer an original approach to Romanticism that demonstrates the dominant intellectual preoccupation of the period: the relationship between the mortal and the eternal. The aims of the project are two-fold: firstly, to analyse the prevalence and range of images of eternity (from apocalypse, and afterlife, to transcendence) in Romantic poetry; secondly, in opening up a new and more nuanced focus on how Romantic poets imagined and interacted with the idea of eternity, it challenges the assumption that the Romantic age should be considered through a contextual rather than a conceptual lens.

Research interests

My primary area of interest is Romantic and post-Romantic poetry, and I have written extensively about the poetry of the Romantic period, particularly on Wordsworth, Byron, Shelley, and Yeats. I also have research interests in Milton, Coleridge, and in post-war British, American, and Irish poetry, particularly that of Louis MacNeice and John Berryman. I am particularly interested in the role and responsibility of the poet from the Romantic period to the present day. This was a point of serious debate in the Romantic period, from Shelley's sense of the “unacknowledged legislator” to Byron's mocking yet intense questioning of the place of poetry and the poet in culture. My work pays close attention to the workings of poetry to consider the contested significance and singularity of the poet to their culture.

My new project is to prepare a new edition of Percy Bysshe Shelley’s work for the 21st Century Oxford Authors series. In 2024, I took up the the Carr-Thomas-Ovenden Visiting Fellowship at the Bodleian Library at Oxford University to support the edition. This new edition will present selections of the poetry, drama, letters, and prose of Percy Bysshe Shelley for twenty-first century readers: scholars, postgraduates, undergraduates, and the general reader. This new edition provides a new breadth of selected poetry, detailed transcription, and comprehensively annotated texts, for which research in the Bodleian Special Collections is essential. It will contain newly edited versions of the selected texts and reveal the range and diversity of Shelley’s career as a poet, reading Shelley as a multi-faceted artist whose work spans a plethora of genres, themes, and concepts, and thus re-orientating readers’ understanding of Shelley from single issue interpretations.

Publications

Books

Callaghan M (2022) Eternity in British Romantic Poetry.
Callaghan M (2019) . London: Anthem Press.
O'Neill M & Callaghan M (2017) The Romantic Poetry Handbook. John Wiley & Sons.
Callaghan M (2017) Shelley’s Living Artistry: Letters, Poems, Plays. Liverpool University Press.
O'Neill M & Callaghan M (2011) Twentieth-Century British and Irish Poetry. Wiley-Blackwell.

Edited books

(Ed.) (2020) . Springer International Publishing.
Callaghan M, O'Neill M & Howe A (Eds.) (2013) The Oxford Handbook of Percy Bysshe Shelley. Oxford: Oxford University Press.

Journal articles

Callaghan M (2024) . The Byron Journal, 52(1), 65-80.
Callaghan M (2021) . The Review of English Studies.
Callaghan M (2019) . Irish Studies Review, 27(2), 177-194.
Callaghan M (2018) . Essays in Criticism: a quarterly journal of literary criticism, 68(3), 308-326.
Callaghan M (2017) The Poetic. COUNTERTEXT-A JOURNAL FOR THE STUDY OF THE POST-LITERARY, 3(2), 209-210.
Callaghan M (2017) ‘Chosen Comrades’: Yeats’s Romantic Rhymes. Romanticism, 23(2), 155-165.
Callaghan M (2017) Byron and Shelley’s Poetry of 1816. Wordsworth Circle, 48(1), 26-32.
Callaghan M (2017) Laon and Cythna. Keats-Shelley Journal, 66, 186-187.
Callaghan M (2015) . English, 64(245), 81-98.
Callaghan M (2015) Shelley and the Ambivalence of Idealism. Keats-Shelley Journal, 64, 92-104.
Callaghan M (2013) . Romanticism, 19(2), 220-221.
Callaghan M (2012) Romantic 'Anglo-Italians': Configurations of Identity in Byron, the Shelleys, and the Pisan Circle. KEATS-SHELLEY REVIEW, 26(1), 75-77.
Callaghan M (2011) Shelley's Music: Fantasy, Authority, and the Object Voice. KEATS-SHELLEY REV(26), 181-182.
Callaghan M (2011) The Poetics of Perception in Southey's The Curse of Kehama and Byron's The Giaour. WORDSWORTH CIRCLE, 42(1), 38-41.
Callaghan M (2010) . The Byron Journal, 38(2), 125-134.
Callaghan M (2010) . Keats-Shelley Review, 24, 38-52.
Callaghan M () Teaching Byron and Shelley to Sing: Thomas Moore’s Lyric Example. Australasian Journal of Irish Studies, 23.
Callaghan M () How Poetry Knows. The Wordsworth Circle.
Callaghan M () Wordsworth, Shelley, and Hardy: The Inheritance of Loss. ELH: English Literary History.
Callaghan M () Shelley’s Poet-Birds. Essays in Criticism.
Callaghan M () What Can the Romantic Lyric Do?. Textual Practice.
Callaghan M () Shelley's Excursion. SEL Studies in English Literature, 60(4).
Callaghan M () Writing “Supreme Reality”: Coleridge’s Religious Musings and Shelley’s Queen Mab. Studies in romanticism.
Callaghan M () Florence as Muse: Byron and Shelley’s Tuscan Competition. European Romantic Review.

Chapters

Callaghan M (2021) 'I ne'er mistake you for a personal foe': Byron and Wordsworth, BYRON AMONG THE ENGLISH POETS (pp. 131-144).
Callaghan M (2020) , Romanticism and the Letter (pp. 183-198). Springer International Publishing
Callaghan M & Howe A (2020) In Callaghan M & Howe A (Ed.), Romanticism and the Letter (pp. 1-14). Palgrave Macmillan
Callaghan M & Wright A (2020) “Gothic Romanticism and the Summer of 1816.” In Wright A & Townshend D (Ed.), The Cambridge History of the Gothic: Volume 2: Gothic in the Nineteenth Century (pp. 19-40). Cambridge: Cambridge University Press.
Callaghan M (2019) In Tuite C (Ed.), Byron in Context (pp. 190-196). Cambridge: Cambridge University Press.
Callaghan M (2017) In O'Neill M (Ed.), John Keats in Context (pp. 66-74). Cambridge University Press
Callaghan M (2016) , Romantic Presences in the Twentieth Century (pp. 27-42). Routledge
Callaghan M (2015) 'Any thing human or earthly': Shelley's letters and poetry, Letter Writing Among Poets: From William Wordsworth to Elizabeth Bishop (pp. 111-125).
Callaghan M (2013) , Legacies of Romanticism (pp. 149-164). Routledge
Callaghan M (2012) Shelley and Milton In Callaghan M, O'Neill M & Howe A (Ed.), The Oxford Handbook of Percy Bysshe Shelley (pp. 478-494). Oxford: Oxford University Press.
Callaghan M (2012) ‘Strong Ghosts’: Romantic Presences in Yeats’s Poetry In Sandy M (Ed.), Romantic Presences in the Twentieth Century (pp. 27-42). Farnham: Ashgate Publishing, Ltd..
Callaghan M (2012) Louis MacNeice and the Struggle for Romantic Identity In Casaliggi C & March-Russell P (Ed.), The Legacies of Romanticism Routledge
Callaghan M () What More is There to Say ? Yeats’s Questions In Bonapfel EM, Faulkner M, Gutierrez J & Lennard J (Ed.), A History of Punctuation in English Literature [three volumes]

Presentations

Callaghan M “Byron and Shelley in 1816.”. New York Public Library.

Research group: I supervise and have been primary supervisor for several successful doctoral theses. These include work on Keats and pleasure and pain (funded by the Wolfson Foundation), Percy Bysshe Shelley and androgyny, pastoral poetry in the Romantic period, the second-generation Romantic poets and quest (AHRC funded) and a thesis on Owen and the Romantic elegiac tradition (funded by WRoCAH), as well as secondary supervising a number of other projects. I am interested in supervising PhD candidates in any of my research interests, especially in Romantic or post-Romantic poetry.

Teaching activities

My research and teaching interests are closely related. I teach on the English Literature BA course and various Masters programmes. Modules that I contribute to at undergraduate level include "Romanticism to Modernism,” “The Invention of Romanticism,” plus my approved module for finalists, “Life After Death? Romantic Poets and Writing the Afterlife”

At postgraduate level, I am a member of the teaching team for various courses on the Masters degree, and co-convene (with Dr Anna Barton) two modules, "Love and Lyric" and "I want a hero: Romantic and Victorian Epic."

Professional activities and memberships: I am a joint president of the International Association of Byron Societies (with Maria Schoina and Peter Francev)

I am one of the lead coordinators of the Established Researcher Forum at the University of 91̽��